Another spring, and another year in which to write . . . most of the
time.
After finishing Bloodlust last
October, I took a break from writing for a few months during the
winter season. I caught-up on some long overdue reading, made plans
for summer camping trips, and generally spent more quality time with
my significant other. Our Christmas and New Years Eve celebrations
were quiet occasions for the most part, as we kept ourselves in
semi-isolation during the continuing COVID-19 pandemic. Fortunately,
we were able to receive our vaccines in March, none the worse for
wear.
However, enforced isolation over the past year was not such a
hardship for me. Writing lends itself to solitary stretches of
creativity and is, in fact, often preferred. Quiet time alone in
which to think about and construct storylines, not to mention
writing them, is conducive to the process.
I never felt an all-consuming frustration with isolation, never felt
constrained or ready to bolt out the door at any given moment. In
truth, I was at ease with the entire situation, including
communicating with friends, family, readers and business contacts
via text, telephone calls and video meetings. It soon became the
status quo, and I don't see it changing any time soon, regardless of
what happens with the pandemic.
In other words, it has become my new normal, and I'm quite
comfortable with it.
Newly-widowed Beth Mills accepts an
outpouring of sympathy from her community after a freak mining
accident takes the life of her husband, Aaron. Unbeknownst to
anyone, she is secretly delighted that her cruel husband is lost to
her, but never expects his vicious ghost to return and haunt her in
more ways than one.
I initially formed the storyline for
Mind Sweeper in August 2007. I was watching MSNBC News on
television in my house in Spokane when there was a break in regular
coverage to report the Crandall Mines disaster in Utah. While the
accident was tragic, within minutes the idea for
Mind Sweeper began formulating
in my head. I don't typically get inspiration from bad news on the
tube, but this time it was different. I think I had the complete
outline for my story within an hour, all jotted down on paper. Later
that day, I began writing in earnest.
"Mind
Sweepergets right down to business.
A mining accident leaves the protagonist, Beth, a widow, relieved at
having lost her wife-beating husband. The back-story brings up the
physical abuse she had to endure in his hands, and tags him as a
first-class sadist getting his comeuppance. The author writes vivid
scenes with many introspective asides, and the dialogue is true to
character. A very intriguing read!" -
Reviewed by Kenneth Edward Lim, author of The North Korean.
I'm tickled with the front and back cover designs for
Mind Sweeper. Much thanks to
James Wason for his talent, and for his patience in working with
me to finalize the creations.
There is one person I'd like to thank posthumously, for without him
Mind Sweeper would never have
come to fruition.
B.R. O'Toole:My late father (Bernard "Barney" O'Toole) was a Geophysicist, and
his life's work revolved around various types of mining in all parts
of the world. I learned much from him about the industry. Of all my
books, dedicating Mind Sweeper
to him seemed the most apropos.
Bloodlust
was finalized at the end of January 2021, thanks to my editor, Palvi
Sharma. I've never had children, but finishing the final draft of a
book is probably the closest I'll ever come to the experience of
letting go of a "child" who has reached adulthood and is ready to
see the world for itself.
Upon returning the final draft for
Bloodlust,
my editor sent me the following note:
And CEO Terrie Balmer of Club Lighthouse Publishing made the following remark on my
Facebook page
after I added the new cover for the book, thanking her for the
spectacular rendition:
Once again, thanks to Terrie, Palvi and James from
Club Lighthouse
Publishing for their
welcome input and invaluable assistance in bringing
Bloodlust to fruition.
Kendrick Lester is probably the most loathsome character I've ever
created. He is a sociopathic murderer, rapist, and all-out sadist.
His quirks are tracked in the Bloodline Trilogy spreadsheet, which I
rarely show to anyone because it is my basic character outline
during the book-writing process, but here is a glimpse.
Kendrick makes his first appearance in
Bloodlust. His son, Kirk,
becomes the love interest of Kate Grady, who is the main character
in the storyline. Kirk writes poems hinting at his horrific
childhood and present life, which he in turn reads to Kate.
Bloodlust is not saturated with poems, but rather they manifest
themselves during various points in the story. I wrote the handful
of verse on the fly, always trying to compose them from the
character's viewpoint. Here are a few of them (click on images
to view their larger size in a new window):
The poems will also appear in the upcoming collection
Torn Bits &
Pieces, to be released by Club Lighthouse Publishing later this
year.
I'm now on to
Blood & Soul, final part in the
Bloodline Trilogy. My current goal is to have the book finished
by mid-to-late Summer 2021.
Emma Beckett is adopted into a loving home as an infant, never
knowing the true circumstances of her birth. As a teenager, she
discovers she has unique powers of healing. She soon realizes her
abilities are an instrument of evil, begotten by a bloodthirsty
monster.
More to come >
When I sit down to write a story, I usually do so in the actual
order of the book: from prologue to the first chapter, and right to
the end. I attribute the habit to my "Virgo" obsession with
organization. It's a habit that has remained consistent throughout
my entire writing career.
Until now.
Since beginning
Blood & Soul in earnest late last year, I've been writing various parts
of the story almost completely out of order. One day, it might be
the main character Emma Beckett in childhood, and then the next will
be scenes in her adult years, and then back again. The story is
coming to me in random chunks, which is somewhat disconcerting in my
typical writing sphere.
Writing outlines for "books in the works" has always
been abhorrent for me. I find them particularly difficult and
unnecessary for the most part. However, many years ago when I worked
with Raphael Serebreny from Tyborne Hill Publishers, he convinced me
that doing an outline prior to writing a book would help me to keep
the storyline organized. At the time I was resistant, but as my
writing style grew, I finally came around to the viability of
outlines even though I don't create them for every book.
I've also developed other ways to keep storylines
organized over time - such as character spreadsheets and family
trees, for instance - but doing an outline prior to writing has
proven to be beneficial in an overall sense, especially in the early
stages of creating a new story. This has become the case for
Blood & Soul.
I finally decided to write an outline for the book, even at this
late stage in the game. And, to be honest, it has helped.
One of the most redeeming aspects of doing an outline
is the ability to change various points as needed. An outline does
not dictate that the story is set in stone, especially as it's being
written. The ebb and flow can change at inspirational whim. I liken
it to a light bulb flash in the segment of the brain which controls
fluid creativity.
However, the haphazard and unfamiliar method seems to
be working for Blood & Soul. I'm not sure what is driving the unusual pattern, but
I'm not complaining.
Essays & Such
Also on my roster is the desire to complete two historical essays
before 2021 ends. I've always had a passion for boning-up on figures
from history who catch my imagination. I want to learn all I can
about them, and then set my thoughts to paper.
My current projects include bits about Lizzie Borden and
Michael
Collins. The two figures in time could not be any more different, yet
that have piqued my interest for many years. Hopefully, my essays
will do them justice.
Estimated dates of project completions are as follows (as of this writing):
Tentatively titled Limb of Iniquity, a
possible 9th book in the
Collective Obsessions Saga would revolve around the deadly
antics of Alexandra St. John, who first made an appearance in
Book #7, The Twilight. In many
ways, her character begs for a continuation. Alex was the
illegitimate daughter of Scott Page, who was the longtime
beloved husband of Shannon Larkin. Alex was abandoned as a child
by her biological mother (Andrea St. John), only to be
adopted by Angela Page, Scott's oldest daughter. Alex and
Shannon have a difficult relationship. Shannon has little use
for her late husband's bastard, barely civil to the child even
as she grows into an adult. The hostility also creates tension
between Shannon and Angela, a friction that endures for years
and creates a breakdown of the mother-daughter bond.
In essence, Alex St. John becomes a literal "bad
seed." The makings are definitely there for a continuation
of the Collective Obsessions Saga.
I've been entertaining the idea for several months, jotting down
ideas when they strike me. While I haven't committed myself to
Book #9 (Limb of Iniquity) in the Collective
Obsessions Saga, it is becoming a distinct possibility in
the future, perhaps in 2023-24 or thereabouts.
The ending in Celtic
Remnants certainly screams "sequel," and I'm currently
considering the notion with a book tentatively titled Celtic
Fragments.
The main character in Celtic
Remnants (Ava Egan)
dies in the storyline, but those who have read the book know she
actually lives. I'm leaning toward the idea of fast-forwarding
the story to twenty years later, when Ava and the indomitable
Tim O'Casey are safely living incognito in America. Ava's
daughter, Chee, would be an adult in such a scenario. Through a
chance encounter with her father's old secretary, Chee discovers
clues that lead her to believe Ava is still alive, and she acts
accordingly. I'm still developing more ideas for the storyline
as of this writing, so keep your eyes peeled for more in the
coming months.
My publisher actually urged me to eventually write a sequel for The Crypt Artist, telling me in
May 2020 (just prior to the release of the book) that she so enjoyed the character
portrayal of Malachy O'Leary she would like to see him make
an appearance in a future novel as the star attraction: "What can I say about
Malachy, except that he's just perfect little leprechaun of a
ghost. Love him! I'd love to see him featured in another story.
You know you could probably create another story around helping
those ghosts work their way out of their purgatory, helping
someone else in the Ramsey building or otherwise." At
first, I wasn't sure how to continue with Malachy, mainly
because he settled his unfinished business on earth, came to
terms with his foibles while in human form, and helped main
character Luca Wolfe out of a near-fatal pickle. Yet the more I
consider a sequel to the story of Malachy O'Leary, the more
ideas that come to me.
The tentative working title for The Crypt Artist
sequel is Spirit of the Ossuary. Stay tuned!
Shortly after receiving
the first paperback copy of
Bloodlust in
March, I assembled all of my books in
print and placed them between my gargoylesque bookends to
take a photograph. Looking at the picture afterward, I was sort of
shocked to see that the number of paperbacks had reached fourteen. I
never really sit down and think about all of the writing I've done
over the years. Writing comes naturally, so I've just continued by
finishing one and going on to the next. However, actually thinking
about the number of books stunned me a bit. On the other hand, the
achievement has kept me humble and I never take it for granted.
Hopefully, there will be many more books to come.
On that note, I have enjoyed reading "cozy mysteries" for several years.
They provide welcome entertainment, especially when I'm in
the midst of research for my upcoming books and need a break from
it. Cozy mysteries are relaxing without being boring,
lacking in gratuitous sex or violence, and are heartily recommended
to those who like mystery novels in the first place.
Over time, I've developed a fondness for certain series' and authors
in the genre, including Diane Mott Davidson (seventeen-novel series
with caterer Goldy Schulz as the star character), Cat in the Stacks
Mysteries (by Miranda James), Beyond the Page Bookstore Mysteries
(by Lauren Elliott), Maine Clambake Mysteries (by Barbara Ross),
Witch City Mysteries (by Carol J. Perry), Gilded Newport Mysteries
by Alyssa Maxwell, and last but not least, the Haunted Bookshop
Mysteries and Coffeehouse Mysteries (by Alice Kimberly/Cleo Coyle).
I also received
The Encyclopedia of Gothic Literature in February. It was a
used copy from the Santa Clarita Public Library, and in excellent
condition (apart from an ink smudge on the cover). The tome contains
an A-to-Z of gothic fiction terminology, as well as index lists of
major authors and their works, timeline of gothic literature, and
film noir/classic gothic works as cinema. Fascinating!
BritBox TV also became a firm favorite during the winter months, and
will probably remain so for the long foreseeable future. I've been
binging on As Time Goes By, Ballykissangel, Father Ted,
Fawlty
Towers, Keeping Up Appearances, Mrs. Brown's Boys,
One Foot in the
Grave, Rosemary & Thyme, The Good Life,
To the Manor Born, Vicar of Dibley, Waiting for God, Wild Bill
and Yes, Minister.
Some of the other television programs (non-Britbox) that we have
become avid watchers of include Britannia (Epix), The Equalizer
(Queen Latifah series on CBS), His Dark Materials (HBO),
Lovecraft
Country (HBO), Outlander (Showtime), Pennyworth (Epix),
Perry Mason
(2020 HBO series), and Resident Alien (Syfy).
Every Sunday afternoon, Jerry and I take a drive to feed a
trio of stray cats near his former workplace. Then we go the short
distance to a park by the FBI building in Salt Lake City, where we
mingle with a large group of ducks. One afternoon in early March, a gaggle
of geese stood by but never joined the fray. I
wonder what they were thinking?
I also spent some of my free time by assembling new fonts (see my blog entry
Font Collections). I've been fascinated by print styles
since I learned to read as a child, so collecting fonts has become a
long-held hobby for me. I recently put together a variety of
"book-type" and handwriting fonts, some of which I use in my own
manuscripts and web design, including various graphics (website menu
buttons, memes, et al), as well as text on book covers.
One of the things I learned early on in web design is that if people
don't have a particular font on their computer or device, they won't
see the unique text if it is just typewritten on a page. The actual
font needs to be imbedded on an image or in a PDF document in order
for the intended text to become visible.
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