Being a writer has its ups and downs. Whether you're an amateur or a
published author, the process of writing a book can be excruciating,
peppered with bits of relief and elation. There are times it all
feels like an emotional rollercoaster. Those who are near and dear
to us can also feel the impact of the long process on a daily basis.
I've been writing for years, long before I was even out of my teens.
Throughout my life, every relationship and marriage has suffered
accordingly. Be that as it may, I've never been able to relinquish
my love of writing, no matter how much anger or resentment it may
cause in those around me. To stop writing to please someone else is
unthinkable to me, and in the end, proves to me the person involved
could care less about my happiness and is only concerned with their
own. In a romantic relationship, I fully understand the other
person's need to feel front and center, but being an author does not
often allow for such singular focus on anything other than writing.
Granted, writing is not like a nine-to-five job where work stops at
the end of the day. Writing goes on at all hours and on all days,
sometimes for months on end without respite. Then again, there are
those times the creative juices stop for a stretch, leaving an
author with a sense of loss and frustration. In other words, writing
is a never-ending process of imagination, creation, joy and despair,
research, rewriting and editing, all with no set time frame. And
when one project is complete, at least in my case, it's often right
into the next one.
Seven years ago, my blog post
Peripherals enumerated the life of an author, and it still rings
true today.
I'm very lucky now, at this stage of my life. My significant other
gives me room to write and rarely complains. He does not protest
when I take along my spiral notebooks so I can write when the mood
strikes during our camping trips, but sometimes pulls me away when
he senses that I need a break (even if I don't). He knows
full well when I'm in wandering-mind writing mode, yet he remains
patient. He even offers suggestions that have frequently found their
way into my books.
One of my tendencies is to take care of mundane things (laundry,
cooking, dishes, and other domestic chores) early in the day,
if I can. I realize life happens and interruptions are inevitable.
There is no way around it sometimes. That being said, the one thing
that powers me through the slog is the knowledge that once I'm
finished, I can settle back into writing again.
I never lose sight of what drives me in the first place.
A near-starving artist finds himself
inspired by a group of long-dead classic painters and a quirky Irish
poet in a rundown loft in SoHo, New York.
What can I say about The Crypt Artist?
The book was a definite labor of love for me, without a doubt. There
was something about it that drove me, day after day, until the story
was complete. I was enchanted with all of the characters that I
developed over time, my two favorites becoming Irish poet Malachy
O'Leary and the indomitable Howard Russell Baker. The verbal
exchanges between Malachy and Howard had me laughing out loud on
several occasions, even in the quiet and solitary world of creation.
The fact that Malachy and Howard are both ghosts made their
well-aimed barbs all the more deliciously comical.
A book reviewer on Amazon wrote the following about
The Crypt Artist:
The Crypt Artistgrabbed me from the first page. I felt
for struggling, depressed, and drunk Luca despite of his attitude or
maybe because of it. Luca lives in a ramshackle old building where
he reproduces classic paintings. A loner, the only interest he has
in his neighbors is in room 2E where no one has resided since the
1950s. Why? Then his world is turned upside down when psychologist
Izzy moves in next door. Both are immediately smitten with each
other. Add to that a lonely elderly lady Elva Peabody and a plethora
of ghosts who have devoted themselves to helping Luca. Why? Maybe a
kindred spirit. The ghosts whom Luca thinks is a figment of his
drunken imagination makes his paintings come alive. Enter still the
landlord and his brethren who complicate his life all the more.
Despite all this, the book is a quick and very enjoyable read.
After reading The Crypt Artist for
the first time earlier this year and during the editing process, my
publisher sent me the following message:
I'm indebted to
Terrie Lynn Balmer, CEO of
Club Lighthouse Publishing, for a variety of reasons - such as
her enduring friendship and humor, not to mention our mutual love of
cats and animals in general - but also for giving me a chance in the
first place. Nearly a decade ago, Terrie took on the eight novels
that comprise the
Collective Obsessions Saga (written by me as
Deidre Dalton), and for that I
will always be grateful.
I'm also very pleased with the front and back cover designs for
The Crypt Artist. Many thanks to
James Wason for his talent, and for his patience in working with
me to finalize the creations.
There are three other people I would like to thank, for without them
The Crypt Artist would not be what it is today.
Tracy Jon Powell:For giving me the initial idea for The Crypt
Artist. Some of his ideas brought forth my inspiration for the
storyline. While I did all of the writing, he also deserves credit
for gifting me with initial brainwaves in the first place.
Brendan
Gallagher:Brendan gave me several quirks for the character Malachy
O'Leary (including the drunken lamppost scene). Malachy was based on
a real man, the late Mick Egan from Birr, County Offaly, Ireland.
Brendan's humorous "ideas" came from incidents he witnessed
involving Mick Egan in his hometown of Birr, making them all the
more hilariously funny. His re-telling of them put me in stitches.
Jerry
Dalton: And last, but not least, thanks to Jerry for guessing female
cat ghosts are subtly more vicious than their male counterparts, and
for giving me the idea for Malachy O'Leary's pet feline, Hissy, who
happens to be real and very much alive. ;) Jerry also deserves
credit for being patient with me during the writing process, as he
had to live with me day in and day out, and to see firsthand the
joys and frustrations of being an author.
I'm also very fortunate that most of the people around me are
patient, understanding the writing process and giving me indulgences
to do so at my own obsessive pace and style.
You know who you are, and thank you.
BLOODLINE TRILOGY
I began writing the
Bloodline Trilogy (as Deidre Dalton) in 2012. The first
book in the series, Bloodfrost,
was essentially completed six months later but wasn't published
until December 2019. I shelved the trilogy for quite awhile after
Bloodfrost was finished, not
certain if anyone would be interested in reading about three women
with special powers that spread out over three books. However, I
finally convinced myself it was worth a shot and submitted
Bloodfrost to my publisher,
Club Lighthouse Publishing.
It wasn't until January 2020 that I was able to
resume work on the second novel in the
Bloodline Trilogy. To that end, I finally completed
Bloodlust nine months later (on
September 30, 2020 at 12:20pm, to be exact).
After my own editing process, which took me to the end of October
2020, I sent the manuscript to my publisher. I was then flattered
and humbled that
Club
Lighthouse offered me a publishing contract soon thereafter. As
I've said many times before, I never take being published for
granted.
For the publisher's edit of
Bloodlust, I will again be working
with Palvi Sharma (who also edited
Bloodfrost), which I'm very happy about.
Bloodlust is tentatively scheduled
for release in spring 2021.
While writing
Bloodlust, I did some extensive
research to add a touch of realism to certain events. My browsing
history for research purposes was quite an eye-opener for awhile,
including strip clubs in the Boston area (because the fictional
serial killer visits one), and laws regarding prison conjugal
visits in Massachusetts and the United Kingdom. And, as twisted and
sick as it sounds, assembling the fictional victims of the serial
killer in
Bloodlust proved to be quite
entertaining. Not because of the ill-intended fictional results, but
because I was able to invent backgrounds and evidence, and pick
names out of the air. It was imagination at work (overdrive, at
that).
Bloodlust was 428 pages long upon
completion, prior to my first round of editing, which entailed
reading through the entire book several times before I even sent it
to my publisher for consideration. It ended up increasing in size (to
432 pages) after the editing process, despite having done away
with two incidental characters. I'm not complaining, but it's a lot
of material to read through to make sure all aspects are consistent
and in sync with the storyline (scenes, dialogue, location and
objects, along with the physical appearances and quirks of the
characters).
It's just one of the many facets of writing that I
continue to find fascinating, all of which contain the aspiration to
reach an end result.
In Progress . . .
Now that
Bloodlust is complete (for all
intents and purposes), I'm on to Blood
& Soul, final part in the
Bloodline Trilogy. My current goal is to have the book finished
by spring/early summer 2021.
Emma Beckett is adopted into a
loving home as an infant, never knowing the true circumstances of
her birth. As a teenager, she discovers she has unique powers of
healing. She soon realizes her abilities are an instrument of evil,
begotten by a bloodthirsty monster.
More to come >
Kingly Matters
A few months ago, when I needed a short break from the intensity of
Bloodlust,
I toyed with new book cover designs for another upcoming novel,
In the
Shadow of the King.
My hope is to get back to the actual writing of
In the
Shadow of the King next year after the
Bloodline
Trilogy is complete, but it might be some time before I actually
finish it (estimated completion around Christmas 2022), only because
of the amount of historical research that will be required. When
last left off, I was sixty-seven pages into the story.
In the Shadow of the King was
created in Corel Word Perfect when I began writing it several years
ago, which presents its own set of unique problems today. I don't
recommend opening a document in Microsoft Word that was originally
created in Word Perfect. General formatting, ampersands, commas,
apostrophes, inverted commas . . . anything other than the actual
words come out a bit skewed. I'm mostly bothered by inverted commas.
I prefer them to be straight up and down, not angled on a curve.
I've since fixed all of the issues, so the book is ready to get back
on track when the mood strikes me.
I'm also in the early stages of gathering new resource material.
This involves obtaining historical documents and books (old and
new), and poring over Henry VIII's Letters & Papers,
Foreign and Domestic from British History Online. I'm basically
looking for reference to Sir Francis Bryan in any context from
multiple sources. While In the Shadow
of the King
is semi-fictional with the inclusion of characters from my
imagination, I'm keen to get the history right.
In
the Shadow of the King by Deborah O'Toole is a fictional account
of the dramatic life of Sir Francis Bryan, confidant to King Henry
VIII.
Sir Francis Bryan was a knight bannerette, chevalier, diplomat,
poet and translator, Lord of the Tor Bryan, chief gentleman of the
privy chamber, Lord Chief Justice of Ireland and a gifted sportsman.
He lost an eye during a jousting tournament and forever after wore a
rakish eye patch, which merely added to his allure. During his time
in Henry VIII's court and one of the few who escaped the King's
wrath, Sir Francis Bryan was dubbed the "Vicar of Hell" by the
King's chief minister, Thomas Cromwell, because of his apparent lack
of scruples and legendary sexual exploits. In the
Shadow of the King brings to life the story of Sir Francis
Bryan, as told by one of his descendants in the twenty-first
century.
Estimated
dates of completion are as follows (as of this writing):
Blood & Soul (by
yours truly writing as Deidre Dalton); late 2021
As per my usual notation, storylines, estimated
release dates and book cover designs may be subject to change.
Lockdown Activities
As the interminable lockdown continues, and when I take a rare break
from writing, we devise ways to keep ourselves entertained.
We went on another camping trip last July, spending five days at
Wolf Creek Pass in the Uinta Mountains. We found the perfect spot to
camp, just off the road and down a slight incline. It had its own
fire pit and plenty of trees to provide shade. We also had a
stampede of sheep run through our camp, which I managed to
get on film.
(Above): Sheep running through our campsite at Wolf Creek Pass
in the Uinta Mountains.
And guess what I pack first for a camping trip? My "book bag." It
includes pens, paper clips, sticky notes, spiral notebooks, printed
material from the current book I'm writing, research notes, my iPad
and the current book I'm reading (not writing). We recently invested
in a laptop, so it comes along for the ride as well.
Reading is an ongoing activity for me, and always has been. My
current stack contains And Furthermore by Dame Judi Dench,
A Breath
of Snow & Ashes by Diana Gabaldon (#8 in the Outlander series),
Inside the Tudor Court Through the Eyes of the Spanish Ambassador by
Lauren Mackay, The Pawful Truth (#11 Cat in the Stacks Mystery) by
Miranda James, Lovecraft Country by Matt Ruff, and Say Nothing by Patrick Radden Keefe. I never
leave a bookstore empty-handed, and I'm especially partial to
collecting different bookmarks.
Jerry has an odd habit of rearranging my stuffed animals into a variety
of positions, providing a display - usually the current even more
bizarre than the last - every time I walk into the computer room.
Once, I came upon the stuffed animals playing cards, another time
they were surrounding an empty bottle of whisky. Other occurrences
included the group watching the iPad, draped over the TV in the
bedroom, perched on my computer before I start my day, wearing face
masks, riding in the back seat of the truck, or staring at the
camera wearing sunglasses. I also once found Hissy on the couch with
a bottle of whisky and a pack of cigarettes (pre-arranged by Jerry,
of course).
View larger photos on my blog, Irish Eyes >
In addition, a family of ducks began visiting us during the summer
of 2020. The mother is an albino who had six ducklings at the time,
all of them seemingly ravenous at all hours. Bread was their
favorite, of course, but we started feeding them healthier fare,
such as kibble and dried corn. But they do love their bread!
Postscript (10/09/20): The family of six ducks has now turned into
about sixty daily visitors. Apparently, they spread the word about
our "Duck Diner" along the canal. They come at 7am sharp, and
then again during the afternoons and early evenings.
Click here to view a
short video of the ducks on You Tube.
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